Haperende Mens Productie

Cut production is blij mede producent te zijn van de expositie Haperende Mens 2014 van curator Katja Vercouteren
in Arti et Amiticiae
Vernissage vrijdag 29 augustus om 20 uur

Summer screening Sub
a single screen installation shot below water, based on the soundtrack Monome by Knob a Siesta
at Salon vakantiewerk 2014 at Arti et Amicitiae
Opening Friday 27 june, Welcome!
Exhibition 28 june - 13 july 2014

VARIA Festival

As Cinematographer of
VARIA International Improvisation Festival
I wish you a warm welcome!
check out the full program on the website

Live Art - Dance, Music, Sound, Light, Video...
March 1st-9th in Göteborg, Sweden

Also brainstorming together with Lisa Larsdotter Petersson about a continuation of the VARIA lab last year
watch

'Walking'
Photography on Hahnemühler photorag

AGA 55 years Jubilee Kickoff Exhibition

Welcome to the Finissage thursday 23 january 2014

17.00 tot 19.00

AGA - De Roos van Dekamaweg 7, Amsterdam

Arti et Amicitiae
SALON 2013 GRENZELOOS
Opening friday 11 October 19:00
Exhibition 12-27 October

Varia Lab 2013
Lab between Henriette Pedersen Choreographer, Christina Hallström Visula Artist and Filmmaker and Lisa Larsdotter Petersson Performance/ visual-artist.
Showing 6th September, Danscentrum Väst Göteborg, Sweden
Part of Göteborgs Internationella konstbiennal via GIBCA Extended
www.varia-impro.se
www.gibca.se/index.php/sv/gibca-extended/arenor/varia

Exhibition at Impact8 Printmaking Festival Scotland 28th Aug- 1st Sept 2013

Impact 8 Printmaking Festival 

Opening Preview thursday 29th 17.30 DJCAD
expo until- 1st Sept 2013 
General Foundation Studio 5

Title: Hill

Format (heightxwidthxdepth): 350x200x200cm

Year: 2012

Technique: screenprinted videostills/fiberart

My research had a lot to do with transparency and grain. The ‘film-strips’ are screenprinted on thin JiangSu silk fabric which hang free from the ceiling in an arranged group. Due to the fabrics’ transparency the images can be seen from both sides. The ink in combination with the silk builds up its own grain. 

I try to translate a video sequence into print, and make a multi-interpretable image where the eye can wonder in all directions, and zoom in and out in a sort of reversed or ‘slow’ filmmaking.

 supported by: